I come to visual art from literary poetry and a love of black and white photography. Working as a poet allowed me to translate the world I saw to the page. That world was full of layers and connections and hidden things - a dark, mysterious place. That world was full of contrast and seas of grey; intense focus where the light shone brightest; pupils dilating to penetrate the corners of midnight.
I use these tools and perception in my visual work. I work with vintage images, often children, and whatever else I can get my hands on: fabric, rusted metal, wood, strange little found items. I've used some 'organic' material - like hair or a petrified snake, insects, beeswax - the list could go on ad infinitum. I use color with the passion and ritual of an addict - though I like an aged, distressed look to all my canvases.
I am motivated by the image and I let that image tell me its story, however disturbing it might be. I hold to the idea that the story just needs to tell a truth. Not the truth. I like to make what is normally unappealing or disturbing to the public at large a little intriguing - so that someone might actually already be investigating a piece awhile before they realize what it's all about. To that end, I do have a definite idea what the piece is about as I go, but in the end, just as with my poetry, I like the audience to interact with the work. Let the work tell you your story.